Advertisement
Spinning Stillness
As I clutch the ground, crouching, my heel planted in, I picture
The yellow house behind the gulch of green
Dust pouring into its gateless pillars.
Looking ahead, my palm wakes the ancient, wooden floor
Through the porch, up the wide, red steps, the magnificent trees, eucalyptuses softly stirring behind
Cracks in the floor, jagged lines along the walls shout:
The house is sinking, face first. Or will it crumble first?
An unfelt reflex pivots my shoulders, pelvis. Is that me?
Or where am I? The threadbare carpet and the arching end of the room, lined with
Windows, whose screens we’d busted with hockey sticks, fill the moment.
I summon the mango tree to arrive, as my palm sweats slightly. Do it,
Before you slip and dislocated bones are given to your body’s memory!
But the moment lingers and the bookshelf of opaque wisdom, with its cracked glass door,
Draws near. I will be forever in its orbit. Hanging over me will be
The deck of fortune cards where magical, wistful knights and small-lipped maidens with their tunics open (revealing bosoms like budding pomegranates)
Are watched over by a timeless old man. Hafiz drinks from his cup.
While the boy blushes.
Execution. Balanced in the pelvis, head tucked under, my heels propel me
Into a spin. The symmetry conserves just one point. And bristling with indices
And Greek letters are equations that bring us to
The Pillars of Creation.
But that is Since, in the Before, a soft, sweet-smelling, sturdy branch
Is there to be grabbed with both hands. And doing a monkey flip
Into the tree’s canopy, a branch gently pokes my cheek.
Naughty boy, to get any sour little mangoes you couldn’t possibly get up there
With the flitting parrots.
Back on my feet. Is this my stance? Or am I on an iceberg
Of contentment, mighty and well guarded,
Easy love, on the asking?
Oh, but loosen your feet, swing on that palm, pivot, rotate!
The flavor of the moment
Is in that point within you
That you can’t think of.
As I clutch the ground, crouching, my heel planted in, I picture
The yellow house behind the gulch of green
Dust pouring into its gateless pillars.
Looking ahead, my palm wakes the ancient, wooden floor
Through the porch, up the wide, red steps, the magnificent trees, eucalyptuses softly stirring behind
Cracks in the floor, jagged lines along the walls shout:
The house is sinking, face first. Or will it crumble first?
An unfelt reflex pivots my shoulders, pelvis. Is that me?
Or where am I? The threadbare carpet and the arching end of the room, lined with
Windows, whose screens we’d busted with hockey sticks, fill the moment.
I summon the mango tree to arrive, as my palm sweats slightly. Do it,
Before you slip and dislocated bones are given to your body’s memory!
But the moment lingers and the bookshelf of opaque wisdom, with its cracked glass door,
Draws near. I will be forever in its orbit. Hanging over me will be
The deck of fortune cards where magical, wistful knights and small-lipped maidens with their tunics open (revealing bosoms like budding pomegranates)
Are watched over by a timeless old man. Hafiz drinks from his cup.
While the boy blushes.
Execution. Balanced in the pelvis, head tucked under, my heels propel me
Into a spin. The symmetry conserves just one point. And bristling with indices
And Greek letters are equations that bring us to
The Pillars of Creation.
But that is Since, in the Before, a soft, sweet-smelling, sturdy branch
Is there to be grabbed with both hands. And doing a monkey flip
Into the tree’s canopy, a branch gently pokes my cheek.
Naughty boy, to get any sour little mangoes you couldn’t possibly get up there
With the flitting parrots.
Back on my feet. Is this my stance? Or am I on an iceberg
Of contentment, mighty and well guarded,
Easy love, on the asking?
Oh, but loosen your feet, swing on that palm, pivot, rotate!
The flavor of the moment
Is in that point within you
That you can’t think of.
Advertisement
Advertisement
-
Re: Sensei- Err, I blame this one on you :-)
Sun, January 8, 2006 - 10:08 PMYum, Yum, Yummeeeeee.
I love this! Esp. the moment of the branch poking in the cheek - it reminds me of awkward times, precocious times, childlike times, bravura.
Lovely!
-
Re: Sensei- Err, I blame this one on you :-)
Sun, January 8, 2006 - 10:17 PMUSMAN!
Dude! You gotz MAD SKILLZ!!!
You have an intruging way with description. You also have strong cadence. There is a cinematic quality to your imagery. I like the infusion of mysticism.
This is your FIRST poem??
Who are your influences? -
-
Re: Sensei- Err, I blame this one on you :-)
Mon, January 9, 2006 - 11:17 PMThanks so much, Karen & Sensie.
Yeah, it's my first poem in a real sense. I'm writing in my second language, after having read a bit of Derek Walcott (the great 2nd language poet) & some this 'n' that.
ee cumings is just what I need to 'graduate', by getting into the plasticity of this language. But to move to Urdu, I need to first learn to play with the strings of Persian.
And to move to Punjabi (the earth's salt left behind by the five rivers) I first need to get the meaning of life down. Not easy! -
-
Unsu...
Re: Sensei- Err, I blame this one on you :-)
Tue, January 10, 2006 - 10:38 PMThis is your first???!!!!!
Well then, may you have many firsts and never a last!!!!!!!
You say you are writing in your second language which I find intriguing. Most people I work with speak more than one language and I am attracted to the fine poetics that are often expressed. I refer to it at times as the "poetics of english as a second language." It is possible that this feature along with your fine mind allows for a more attuned poetic voice. Or possible that your natural talent for wordpainting has just bubbled to the top...whatever ....go man go...
celestialgrrrl -
-
Re: Sensei- Err, I blame this one on you :-)
Wed, January 11, 2006 - 6:12 PMHey- Thanks for the kind words. BTW, the poem I posted on Monday has been given a stamp of approval by a friend who's a student of Chinese magic. Highly elating! -
-
Re: Sensei- Err, I blame this one on you :-)
Wed, January 11, 2006 - 8:58 PMShe just answered the question I asked on the other thread. Word painting...what a perfect phrase to describe what he does...
-
-
-
-